EnduraTone Mobile Fallback.png
EndureTone logo with multicolored rectangular design and bold white text

Timeless, bold LUTs for Modern Creators

EnduraTone LUTs
Sale
EnduraTone LUTs
$49.00 $59.00

Bring your footage to life with EnduraTone - a collection of 12 meticulously crafted LUTs + 1 bonus LUT designed to evoke timeless cinematic color. Whether you're filming in LOG or Rec709, these LUTs are built to deliver cinematic and timeless tones for both commercial and passion projects.

Each LUT is provided in both conversion (LOG to Rec709) and non-conversion (Rec709 creative grade) formats, making it easy to apply no matter your workflow.

  • 65-point .cube format for professional-level color precision

  • Compatible with DaVinci Resolve, Premiere Pro, Final Cut, CapCut, and more

What’s Included:

  • 12 EnduraTone LUTs (Intended for footage already in Rec709)

  • 12 Conversion Looks Each for

    • Sony S-Log3 → Rec709 + EnduraTone

    • Canon C-Log3 / C-Log2 → Rec709 + EnduraTone

    • Arri Log3C → Rec709 + EnduraTone

    • DJI D-Log / D-LogM → Rec709 + EnduraTone

    • Nikon N-Log → Rec709 + EnduraTone

    • Fujifilm F-Log2 → Rec709 + EnduraTone

    • Panasonic V-Log → Rec709 + EnduraTone

  • Bonus Look (Icefields)

  • Instructional PDF

EnduraTone LUTs
Sale
EnduraTone LUTs
$49.00 $59.00

Bring your footage to life with EnduraTone - a collection of 12 meticulously crafted LUTs + 1 bonus LUT designed to evoke timeless cinematic color. Whether you're filming in LOG or Rec709, these LUTs are built to deliver cinematic and timeless tones for both commercial and passion projects.

Each LUT is provided in both conversion (LOG to Rec709) and non-conversion (Rec709 creative grade) formats, making it easy to apply no matter your workflow.

  • 65-point .cube format for professional-level color precision

  • Compatible with DaVinci Resolve, Premiere Pro, Final Cut, CapCut, and more

What’s Included:

  • 12 EnduraTone LUTs (Intended for footage already in Rec709)

  • 12 Conversion Looks Each for

    • Sony S-Log3 → Rec709 + EnduraTone

    • Canon C-Log3 / C-Log2 → Rec709 + EnduraTone

    • Arri Log3C → Rec709 + EnduraTone

    • DJI D-Log / D-LogM → Rec709 + EnduraTone

    • Nikon N-Log → Rec709 + EnduraTone

    • Fujifilm F-Log2 → Rec709 + EnduraTone

    • Panasonic V-Log → Rec709 + EnduraTone

  • Bonus Look (Icefields)

  • Instructional PDF

Close-up view of the Edutone logo with bold white text on a brown background.
A computer directory window titled 'Conversion Looks (Log-Rec709)' displaying a list of folders with names like ArrilogC3-Rec709, CLog2-Rec709, CLog3-Rec709, DLog-Rec709, DLogM-Rec709, FLog2-Rec709, NLog-Rec709, SLog3-Rec709, VLog-Rec709, along with their sizes in MB.
A woman with long hair smiling while standing in a mountainous landscape with snow-capped peaks and a blue sky, wearing outdoor hiking gear and carrying a backpack.
A person in an orange jacket and white hat standing on rocky ground overlooking a large canyon with three waterfalls and mist rising from the water below.
A person sitting alone in an empty airport waiting area, looking out a large window at a mountain and water landscape during daylight.
Snow-capped mountain reflecting in a small lake, surrounded by rocks, green grass, and trees.
A group of horses running across a dry, rocky landscape at sunset with a background of rolling hills and scattered rocks.
A woman in a red expedition jacket with an 'ARCTIC' patch and a beige knit beanie looks contemplatively to the side against a cloudy sky and distant mountains over water.
View of rugged sea stacks in ocean with waves crashing, during sunset or sunrise with hazy sky in the background.
A person in an orange jacket and backpack standing on rocks near a glacier with ice chunks and a mountain range in the background.
Mountain with snow capped peak in the background, lush green trees, and purple and pink wildflowers near a body of water in the foreground.
View from a boat on the water near steep, green-covered cliffs with waterfalls in the distance, possibly in a fjord.

Looks Included:

Cascadia -
Inspired by the forests of the Pacific Northwest. Faded shadows meets true-to-life, yet vibrant greens..

Cooper -
Emulating the timeless aesthetic of sci-fi, blending cinematic shadows with a nostalgic color palette.

Ember -
Warm, earth-tones melt together in this cinematic look..

Endura Vision -
My take on a modern Kodak 2383 film emulation. Beautiful as-is, but easily workable.

Fiordland -
Inspired by a rainy day in Milford Sound, New Zealand. A moody look that works wonders with muted scenes.

Foundation -
A more commercialized look with muted contrast and film-like tones..

Highlands -
Inspired by the highlands of Iceland. Highly malleable, especially when given a bump of saturation.

Longline -
The classic "teal and orange" look, but stripping away the digital harshness for a modern, high-fashion finish.

St Moritz -
One of my favorite looks in this pack. Cool highlights, warm shadows, punchy colors. Inspired by the Alps.

Stone -
Characterized by a muted, earthy palette + a distinct organic texture. Prioritizes desaturated greens and shifted blues.

Tesseract -
Sophisticated "hybrid" aesthetic that pairs creamy, filmic highlights with a bold, expansive color contrast.

Vintage Vision -
By far my most used look this year. Vintage-inspired tones that make everything feel like a movie..

A man wearing a beige beanie and plaid shirt holding a camera, standing outdoors in a grassy area with rock formations in the background.
Man on beach holding camera, wearing beanie and checkered shirt, with large rock formation in background
A man in a plaid shirt and beige beanie stands outdoors in a grassy field, holding a camera, with large rocky formations in the background during sunset.
A man with a beard wearing a beanie and plaid shirt holding a camera on a beach with large rocks and grassy dunes in the background during sunset.
A man with a camera around his neck standing outdoors during what appears to be late afternoon or early evening in a grassy coastal area with large rock formations in the background.
A man with a camera around his neck stands on a grassy beach, holding a camera, looking into the distance with a serious expression. Behind him are large rock formations and a blue sky.
A man in a beanie and plaid shirt holding a camera stands on a grassy field with large rock formations in the background under a clear sky.
A man wearing a beige plaid shirt and a gray knit beanie is holding a camera and standing outdoors in a grassy area with large rock formations in the background during sunset.
A man wearing a gray knit hat and plaid shirt standing outdoors, holding a camera, with large rock formations and grassy dunes in the background during sunset.
A man with a camera standing on a grassy coastal area, overlooking the ocean with large rock formations in the background, during sunset or sunrise.
A man in a plaid shirt and knit beanie holding a camera stands outdoors in a grassy area with large rock formations and mountains in the background during daytime.
A man holding a camera in a grassy outdoor setting with large rock formations in the background.
A man in a beige knit beanie and plaid shirt holding a camera stands outdoors among tall grasses, with large rocky formations and a cloudy sky in the background.

An adventure in Patagonia featuring

Vintage Vision

The Vintage Vision LUT is one of my most-used looks in my daily edits. I’ve found this preset to be incredibly versatile and adaptable with it’s film-inspired tint + bold cyans.

In adventure in Milford Sound featuring

Fiordland

The Fiordland LUT is perfect for bringing out the mood in rainy-day scenes. Inspired by one of the most beautiful days of my life in Milford Sound, this look truly thrives in the rain. That said, if you’re looking to cool scenes down on a sunny day, definitely give this LUT a try.

 FAQs

  • The pack includes 12 unique LUTs crafted by Kyle Kotajarvi—each in two versions:

    • Conversion LUTs (LOG to Rec709 + Look)

    • Non-conversion LUTs (Rec709 to final look)

    All LUTs are provided in .cube (65-point) format, compatible with most editing software.

    Conversion LUTs are provided for Sony S-Log 3, Canon C-Log 3, F Log, N-Log, and V-Log.

  • Yes. I optimized these LUTs to work best on the major camera brands - Sony, Canon, Fujifilm, Nikon and Panasonic.

    I spent countless hours working to match the looks across the color sciences of each of these camera systems. That being said, no matching technique is perfect.

  • Not exactly—LUTs are a starting point. I designed these to be as close to a one-click edit as possible, but your exposure, white balance, and lighting conditions will always factor into the outcome of your color grade.

    Endura Tone is designed to give you the strongest possible base.

    I recommend adding Endura Tone as your final node in your node tree (if in Davinci) or top layer (if in a layer-based system) and applying primary corrections before the LUT.

  • Endura Tone is delivered in a .zip file with parent folders for Sony, Canon, Fujifilm, and DJI camera profiles. Within these folders are 12 65-point “.cube” files with a corresponding name to the looks listed above. Here are instructions for Premiere, Davinci, and Final Cut.

  • As soon as you complete your purchase, you’ll receive an email with a download link to the full LUT pack + installation PDF

  • If you run into any trouble, just reach out via the contact form on my site or reply to your confirmation email. I’m happy to help.

  • Endura Tone LUTs are licensed for individual use only. When you purchase the pack, you’re buying a single-user license - meaning the LUTs can’t be shared, transferred, or resold.

    I’ve put a lot of time and care into creating these looks, and I really appreciate your support by keeping the files private. Each purchase helps make it possible for me to keep creating tools and resources for other filmmakers.

  • Because Endura Tone is a digital product, all sales are final. Once the LUTs have been downloaded, I’m unable to offer refunds.

    I’ve spent the past year refining these looks to work across a wide range of cameras and lighting conditions, and I want you to feel confident in your purchase. If you have any issues with installation or achieving the right look for your footage, please reach out - I’m happy to try and help.